LOUIS VUITTON

BRAND GEOMETRY + FAÇADES

The Monogram and Damier are some of the most recognizable visual codes in the world. We developed a generative logic that extends Louis Vuitton’s visual language: a system of proportions, rotations, and interlocking forms that produces an infinite range of applications while remaining unmistakably itself.

LV CLOUDS

A CLOUD CUT FROM THE MONOGRAM GRID

The LV monogram is built from interlocking circles. A series of flat cloud-shapes are cut from the monogram surface and suspended like theater sets — volumetric and cloud-like from the front, a series of flat layers from the side.

DAMIER & MONOGRAM

INTERIOR FAÇADES: TWO SCALES OF READING

The Damier grid is legible from the other side of the street, organizing the surface into a rhythm of big squares. The monogram is a close reading, visible only when you approach. The same surface, two entirely different experiences depending on where you stand.

LV ANIMALS

DAMIER AS PLAYGROUND

The Damier is a logic. This series places a cast of figures into that logic: animals, wild, domestic, mythic, rendered in the cross-hatch texture of the grid itself. The pattern generates the creatures; the creatures activate the pattern: each square a new situation.

LV MONOGRAM FAÇADE

AFTER LOUIS SULLIVAN IRONWORK

The screen is built from the LV monogram geometry — interlocking circles fabricated in bent metal. Some elements face the viewer directly; others are turned perpendicular. Each reads differently depending on your angle: a paper-thin line from the front, a full curved surface from the side. The surface changes as you move past it. The technique was used with far greater mastery by Louis Sullivan in the iron elevator grills of the Chicago Stock Exchange Building.