We create brands, develop their visual codes, and design architectural environments.

ISSEY MIYAKE

FROM GEOMETRY TO SPATIAL EXPERIENCE

TM/R developed the full concept for the New York SFA store: visual codes translated into materials, surfaces, and an architecture of movement.

HOURGLASS

FROM BRAND CODE TO PERSONAL TOUCH

A complete rethinking of how a beauty brand occupies physical space. TM/R developed the global concept and designed the New York flagship in Nolita. Subsequently introduced in Asia.

NVIDIA

A VISUAL LANGUAGE BUILT TO SCALE

Over several years of continuous collaboration, TM/R developed the complete visual language for Nvidia GeForce: typeface, badge system, pattern library, packaging, and collateral — a system designed to perform across a global product line.

CARTIER

VISUAL CODES

Every brand has a repeating logic — in its forms, its proportions, its way of drawing. Visual Codes is TM/R’s method for making that logic explicit: extracting it from what the brand already has and building it into a generative system that works at any scale, in any medium. Not a style guide. The source code of the brand.

MOROSO

TABLES & SEATING COLLECTION

Tables manufactured by Moroso and shown in Milan Salone del Mobile  — each support is a three-dimensional contour formed from a single sheet of metal, with tops in TM/R patterned glass or Ettore Sottsass-designed wood.

ALTHAUS

A TEA CULTURE FROM THE GROUND UP

TM/R created Althaus as a complete brand: identity, visual system, packaging, product display, and porcelain accessories — positioning a new company as an authority on modern tea culture from its first day on the market.

POLIMODA

AN IDENTITY FOR FASHION EDUCATION

Visual identity system for Polimoda, the school of fashion in Florence — where Italian craft and international vision meet. The system holds both without resolving them into something simpler than either.

NIKE

FORM FOLLOWS MOTION

A spatial identity system for Nike House of Sport, derived from a single principle: a line moving across a regular grid, tracing the path of an athlete through space. Inspired by Muybridge and Marey’s motion photography — movement made visible, then made architectural.

BALMAIN

LABYRINTH AS BRAND GEOMETRY

Visual Codes and brand geometry for Balmain — design modules, patterns, and combinations built for deployment across digital, packaging, and retail. Bold, structural, and recognizable at distance.

BRILLO

NOISE & SIGNAL

When Warhol reproduced the Brillo box, he fixed it in art history. TM/R reproduced the boxes again with LLM. The stronger the original signal, the more transformation it can withstand. The stronger the Visual Code, the more it can be played. The boxes are available as a limited physical edition — each one a unique mutation, each one still unmistakably Brillo.

LOUIS VUITTON

TROMPE-L’ŒIL

Island Maison, Marina Bay, Singapore. A trompe-l’œil film pattern developed to shade a glass pavilion one degree north of the equator. Functional at noon. After dark, the building glows against the water like a lantern. From fixed points along the promenade, the faceted volumes collapse into a flat plane — move past them, and the geometry stretches into reverse perspective. The building changes with the viewer’s position.